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Cultivating Feminist Choices: Cultivating Feminist Choices

Cultivating Feminist Choices
Cultivating Feminist Choices
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  • Project HomeCultivating Feminist Choices: A FEminiSTSCHRIFT in Honor of Ruth-Ellen Boetcher Joeres
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Notes

table of contents
  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Contents
  5. List of Figures
  6. Acknowledgements
  7. Introduction
    1. Brigetta M. Abel, Nicole Grewling, Beth Ann Muellner, and Helga Thorson
  8. Section 1 Feminist Roots/Routes
    1. Chapter 1 Feminist Choices: Contemplating the Intricacies of Feminist Spaces
    2. Chapter 2 Strange Bedfellows: A Married Lesbian’s Feminist-Queer Critique of the Homo-Ehe Debates in Germany
    3. Chapter 3 Unboxed: On Media, Memory, and the Material Archive
  9. Section 2 Feminist Scholarship Revisited
    1. Chapter 4 On This Occasion, Seven Letters
    2. Chapter 5 Ein (unvollständiger) Reisebericht
    3. Chapter 6 Mindfulness in Academia: On the Fine Art of Intellectual Labor
  10. Section 3 Feminist Collaboration in Action
    1. Chapter 7 Feminist Collaboration: A Conversation
    2. Chapter 8 Autogynographically Speaking: A Dialogue on Feminist Friendship
    3. Chapter 9 Writing that Matters: An E-pistolary Dialogue
  11. Section 4 Feminist Mentoring/Mentoring Feminists
    1. Chapter 10 Feminist Scholar/Activist, Teacher, Mentor, Colleague, Friend
    2. Chapter 11 Tea with R.E.
    3. Chapter 12 A Personal and Intellectual Feminist Journey over Four Decades with Ruth-Ellen Boetcher Joeres
  12. Appendices
    1. List of Selected Book Publications
    2. List of Selected Articles and Book Chapters
    3. List of Dissertations Supervised
  13. About the Editors

1 “It was as if I had taken root in this beautiful life of letters” (my trans.).

2 “Epistolary genre: genre of style exclusively reserved for women” (my trans.).

3 Echoing Vuong 3.

4 Harnessing the power of personal connection and memory over technology, Helga Thorson made short shrift of this mystery, immediately recalling the name Peggy Conant. The Internet subsequently provided me with the information that my P. Conant works at MIT and graduated from UMass Amherst with a BA in Women’s Studies and German in the mid-1980s.

5 “In the spring, we will take our sticks and hike, as if we were hermits, and we won’t say we are girls. You will have to make yourself a fake beard because you are tall, and otherwise nobody will believe it, but only a small one that looks good on you, and because I am small, I will be your little brother, but I will have to cut my hair. — Such a trip, we will take in the spring… ” (my trans.).

6 I thank Sally Ball, David Anderson, and Sigrid Anderson for granting me permission to reproduce the text of their emails.

7 “I am thinking of you./What does ‘thinking of you’ mean? It means: forgetting ‘you’ (without forgetting, life itself is not possible) and frequently waking out of that forgetfulness. Many things, by association, bring you back into my discourse. ‘Thinking of you’ means precisely this metonymy. For, in itself, such thinking is blank: I do not think you; I simply make you recur (to the very degree that I forget you). It is this form (this rhythm) which I call ‘thought’: I have nothing to tell you, save that it is to you that I tell this nothing” (Barthes, A Lover’s Discourse 157).

8 Echoing Vuong 3.

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